Twee Scots cover shambling amateur punk.
The Proclaimers do Wreckless Eric: ‘Whole Wide World’
Twee Scots cover shambling amateur punk.
The Proclaimers do Wreckless Eric: ‘Whole Wide World’

Proto communism in action. 1649 Style. Read it in full here
“we are resolved to be cheated no longer, nor be held under the slavish fear of you no longer, seing the Earth was made for us, as well as for you. And if the Common Land belongs to us who are the poor oppressed, surely the woods that grow upon the Commons belong to us likewise: therefore we are resolved to try the uttermost in the light of reason, to know whether we shall be free men, or slaves. If we lie still, and let you steale away our Birthrights, we perish; and if we Petition we perish also, though we have paid taxes, given free quarter, and ventured our lives to preserve the Nations freedom as much as you, and therefore by the law of contract with you, freedom in the land is our portion as well as yours, equal with you: And if we strive for freedom, and your murdering, governing Laws destroy us, we can but perish.”
Signed for and in behalf of all the poor oppressed people of England, and the whole world.
Gerard Winstanley, and 44 others.

Striptease Murder Case (1950)
…In New York’s Runaway theater, the crowds are being overwhelmed by the strippers and comics while danger lurks behind the klieg lights. Two singers are being roughhoused, and the hood responsible is killed. Who did him in? If only the tassels could talk!
“See! the battle of the stripteasers”

Hammer Horror Screen Queen. Hazel Court
The Decemberists: ‘16 Military Wives’
“If America says it’s so - it’s so!”

Gee Vaucher. Crass album art (Christ - The Album).
Edwin Starr: ‘War’
Listen and learn, tumblin chums. Listen and learn.

This is one reason why I am not wearing a poppy. (read from bottom to top)
Mr Brissndn completely right. Don’t celebrate war - Stop it. And no, that doesn’t make you against or unsympathetic to the working class conscripts from the dole queues or dead end jobs who end up fighting those wars, on behalf of other people. The Poppy legitimises their sacrifice, not protests against it. And legitimises it for the next time…
2,752 innocent people murdered by reactionary fanatics on 9/11.
102,000 Iraqi civilian deaths since 2001
Feel better now?…
Need Bryan. Need Roxy.
Roxy Music: ‘Love Is The Drug’
And it is.
…war porn being posted on his dashboard. Ships, planes and guns kill people, on behalf of vested interests. For fucks sake, don’t you people get this. Next time there’s some unfortunate ‘collateral damage’, think on those dead non white women and children.
CTlab Public Lecture
“Feral Cities and the Scientific Way of Warfare”, is available for free
download through iTunes U.
You can find a direct link to it on the CTlab website’s home page
(http://www.terraplexic.org), in the left-hand navigation margin (right
below the big picture window, immediately after the Quicklinks section).
The event was held at University College London in November 2008. A joint
lecture organized and hosted by CTlab, it featured Geoff Manaugh, author
of BLDGBLOG, and Dr. Antoine Bousquet (Birkbeck College), author of The
Scientific Way of Warfare: Order and Chaos on the Battlefields of
Modernity (Columbia University Press/Hurst Publishers, 2009).
Mr Feastingonroadkill recommends, because we live in a age of war. And feral urbanism.

This gentleman said they could fit “as many” of these tanks on the ship as they needed to. And those be the shells them tanks fire.
Ah, Imperialism a go-go.

Don’t hang out with fascists, it’ll end in tears.
See the example of Zarah Leander
“Zarah Leander (March 15, 1907 – June 23, 1981) was a Swedish actress and singer.
Leander began her career in the late 1920s, and by the mid 1930s her success in Europe, particularly in Germany and the Scandinavian countries, led to invitations to work in the United States. Leander was reluctant to relocate her children, and opted to remain in Europe, and from 1936 was contracted to work for the German Universum Film AG (UFA) while continuing to record songs. Leander later noted that while her films were successful, her work as a recording artist was more profitable.
As a result of her controversial choice to work for the state-owned UFA in Adolf Hitler’s Germany, her films and song lyrics were viewed by some as propaganda for the Nazi cause, although she took no public political position. Leander was strongly criticized as a result, particularly in Sweden where she returned after her Berlin home was bombed during an air raid. Initially she was shunned by much of the artistic community and public in Sweden, and found herself unable to resume her career after the Second World War. It was several years before she could make a comeback in Sweden, and she would remain a figure of public controversy for the rest of her life.”